Low poly Game-Ready 3D models.
#dellsweet #3DS #FBX #OBJ #DirectX #3DTruckModel #toyota4runner
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Low poly Game-Ready 3D models.
#dellsweet #3DS #FBX #OBJ #DirectX #3DTruckModel #toyota4runner
Tags: 3ds, Dell Sweet, DellSweet, DirectX, fbx
Long Live the King Kindle Edition
by Dell Sweet (Author) Format: Kindle Edition
#Mystery #ElvisPresley #Whatif #KU #Kindle #Readers #DellSweet |
The King is dead, the headlines screamed. A hard, hard day. But, what if the king wasn’t dead? What if the king just got fed up with all of it and called it quits…
The quiet cadence of Aaron’s days was rarely broken by external disruptions. His hermitage in the bayou was, by design, an exercise in profound isolation. Yet, the world, like an persistent tide, would occasionally lap at the shores of his self-imposed exile. These intrusions were not of the dramatic, attention-grabbing variety that had once defined his existence. Instead, they arrived as fleeting whispers, carried on the humid air or snagged by the errant radio waves that sometimes pierced the dense foliage surrounding his cabin. #Mystery #ElvisPresley #Whatif #KU #Kindle #Readers #DellSweet
Home: https://www.wendellsweet.com
4-wheel drive 3D models that are game-ready from Dell Sweet
Tags: 3ds, Dell Sweet, DellSweet, DirectX, fbx 4×4
https://wendellsweet.com/category/4wheel-drive
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1957 Plymouth Fury
A 1957 Plymouth model build. Get it at my model store #3Dmodels #DellSweet #CarModels
Tags: 3ds, Dell Sweet, DellSweet, DirectX, fbx
Home: https://www.wendellsweet.com
Alice in Chains stands as one of the most distinctive and influential bands to emerge from the early 1990s Seattle grunge movement. While often lumped in with their peers like Nirvana, Pearl Jam, and Soundgarden, Alice in Chains carved out a unique sonic identity, characterized by dark, sludgy riffs, unconventional song structures, and the haunting, often harmonized vocals of Layne Staley and Jerry Cantrell. Their music was a raw, unflinching exploration of pain, addiction, and despair, resonating deeply with a generation and leaving an indelible mark on hard rock and metal.
The band’s genesis traces back to Seattle in 1987. The core creative partnership of Alice in Chains was forged between guitarist and vocalist Jerry Cantrell and drummer Sean Kinney. Cantrell, who had been in a band called Diamond Lie, was searching for a new project and a new voice. He met Layne Staley, a charismatic and talented singer who at the time was fronting a glam metal band called Alice N’ Chains. Cantrell, impressed by Staley’s powerful and unique vocal style, was determined to get him into his new band.
The story of how Cantrell and Kinney convinced Staley to join is a testament to their persistence. Staley was involved in a funk band at the time, and Cantrell and Kinney devised a plan to subtly pressure him. They would hold “mock auditions” for a lead singer, intentionally bringing in terrible vocalists to make Staley realize he was the only one they truly wanted. The final straw came when they auditioned a male stripper, which prompted Staley to finally agree to join. With Staley on board, and after recruiting bassist Mike Starr, the new quartet solidified their lineup. They adopted a slightly modified version of Staley’s old band’s name, becoming Alice in Chains.
The band quickly gained traction in the Seattle music scene. Their sound, a potent blend of heavy metal, doom, and hard rock with a bluesy foundation, set them apart. They signed with Columbia Records in 1989 and released their debut EP, We Die Young, in 1990, followed by their first full-length album, Facelift, later that same year. The album’s second single, “Man in the Box,” with its iconic, guttural vocal harmonies and unsettling lyrics, catapulted them into the mainstream.
The classic lineup of Alice in Chains consisted of four key musicians, each bringing a crucial element to the band’s sound:
After Starr’s departure, Mike Inez took over on bass in 1993 and has been with the band ever since. Following the tragic death of Layne Staley, the band went on a long hiatus before reuniting in the mid-2000s with William DuVall sharing lead vocal and rhythm guitar duties with Cantrell.
Alice in Chains’ discography is filled with critically acclaimed tracks and fan favorites. While a definitive list is subjective, several songs stand out as their most iconic and influential:
“Rooster” is one of Alice in Chains’ most well-known and emotionally resonant songs, and its meaning is deeply personal to Jerry Cantrell. The song was written about his father, Jerry Cantrell Sr., who served two tours of duty in the Vietnam War. “Rooster” was his father’s childhood nickname.
The lyrics of the song are written from the perspective of a soldier in the jungle, reflecting on the horrors and trauma of combat. Cantrell wrote the song as a way to understand and process his father’s experiences, which had a profound impact on their relationship and family life. The song’s slow, militaristic drum beat, heavy riffs, and Staley’s harrowing vocals create a powerful, cinematic soundscape that captures the feeling of isolation and terror in the battlefield.
In interviews, Cantrell has stated that writing “Rooster” was a form of therapy and the beginning of a healing process with his father. Cantrell Sr. was a consultant on the song’s music video, and it was through this process that he finally began to open up and talk about his experiences in Vietnam with his son. The song stands as a powerful tribute to all Vietnam veterans and a testament to the lasting psychological scars of war.
The tragic story of Layne Staley is inextricably linked to the history of Alice in Chains. For much of his career, Staley struggled with a severe and public battle with drug addiction, specifically heroin. His addiction began to take a toll on his health and professional life in the mid-1990s, leading to the band’s extended hiatus and eventual decline.
Following their last tour in 1996, Staley became a recluse, rarely leaving his Seattle condo. His health deteriorated rapidly, and he lost contact with most of his friends and family. The band was effectively put on hold as he battled his addiction, and although they would perform a few one-off shows, they never recorded another studio album with him.
On April 5, 2002, Staley’s life came to a tragic end. He was found dead in his home from a lethal overdose of a speedball—a combination of heroin and cocaine. His body was not discovered for two weeks. He was just 34 years old. His death was a devastating loss for the music world and a grim culmination of a long and painful decline. The legacy of Alice in Chains’ original era is forever marked by the brilliance and sorrow of their lead singer, a man who, with brutal honesty, sang about the very demons that would ultimately claim his life.
Home: https://www.wendellsweet.com
The newfound resources provided a small measure of comfort, but the shadow of suspicion and mistrust lingered, a constant threat to their already precarious existence. They had survived the attack, but the war within Rapid City had only just begun, a war fought not with guns and blades, but with suspicion, betrayal, and the relentless erosion of trust.
#Dystopian #Apocalyptic #Zombie #KU #Audio #Readers #Listeners #DellSweet
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This covers the making of my last video for the Holden Street UTE. I cover making the image I use to create an AI generated video for the model.
I also cover creating the correct files for RS to make the model usable in Rad Sandbox.
I cover assembling the video first in Movie Maker to get the basics done, then in KDENLIVE to add all the extra tracks, sound and video both,
then finishing it up in Movie Maker for the Title and the Credits.
I will show the generation of the opening video in Deep AI an app I use for AI video and have a monthly subscription for. I will show creating the images I need to make the video from in another AI app.
I tried to annotate all of it in a readable form to help you understand. I have just begun using KDEN live, and so I assume that will do the titles and credits but I am used to Movie Maker and so I can do them very fast there. However, the more I use KDEN Live the more I learn and the more I like it, so I bet it won’t be long before I am using it solely.
As for the AI apps I use I have been with DEEP AI for about 4 months or so now and I like it. It is consistent in renders. What does that mean? Well, I have tried others and sometimes it takes a half dozen renders or more to get what I ask the app to do. I mean even simple things. And there are times when I render a dozen times and still don’t get the render I need. So, I switched to Deep AI because all those renders cost credits and credits cost actual money.
Perchance: Perchance is an AI image generator. There are several examples at Perchance you can look at and build your own from. The Cost is zero, and the renders are very good. As I said you can build your own as I did and tweak it as much as you want.
Also, Gemini from Google and META has an AI, also Bing has an AI. These are free to pay. You can get some free image generations and even video generations.
Discussed here:
Disclaimer: I have no affiliations with these products except that I use them. No kickbacks, discounts anything like that. If I like something I say so, if I don’t, I also say so…
Deep AI: https://deepai.org/
Perchance: https://perchance.org/generators
Rad Sandbox R/S: https://wendellsweet.com/rad-sandbox-9-99/
KDEN Live Video Editor: https://kdenlive.org/
Windows Movie Maker 2012: https://archive.org/details/windows-movie-maker-2012_202505
Gemini from Google: https://gemini.google.com/app
Meta AI: https://www.meta.ai/
Check out the video below as I do the work…
YouTube: https://youtu.be/ATOMl44leLA
The Sport UTE Model: https://wendellsweet.com/holden-sport-street-ute/
Home: https://www.wendellsweet.com
Easy Crime 01 Kindle Edition
Book 1 of 4: Easy Crime
Then I saw him. Robby.
He hadn’t changed much. Still the same lean build, the same unsettlingly calm demeanor that had always made me both wary and fascinated. His eyes, though, held a sharper glint, a honed edge that spoke of survival in a world even harsher than the one behind bars. He was a predator, disguised in the sheep’s clothing of a casual acquaintance, and the way he sat at the bar, radiating an aura of dangerous nonchalance, sent a chill down my spine… #Crime #Fiction #KU #Readers #Thriller #Kindle #Audible
Easy Crime 02 Kindle Edition
Book 2 of 4: Easy Crime
The air hung thick and heavy, a humid blanket clinging to the skin even in the pre-dawn chill. The city, normally a cacophony of distant sirens and rumbling traffic, was unusually quiet, punctuated only by the rhythmic tremor that vibrated through the very foundations of the buildings… #Crime #Fiction #KU #Readers #Thriller #Kindle #Audible #Series
Easy Crime 03 Kindle Edition
Book 3 of 4: Easy Crime
Marva took a slow sip of her drink, her expression unreadable. “Midnight’s risky, Robbie. The place is usually crawling with people that late.” Her voice was flat, devoid of any emotion, a stark reflection of her hardened exterior. Years spent surviving in the unforgiving landscape of the city’s underbelly had honed her survival instincts, turning her into a creature of stark pragmatism. She had seen too much death, too much violence, to afford herself the luxury of fear or sentimentality. #Crime #Fiction #KU #Readers #Thriller #Kindle #Audible #Series
Easy Crime 04 Kindle Edition
Book 4 of 4: Easy Crime
Jenna clutched the strap of her worn messenger bag, her knuckles white. Her gaze was fixed on the two figures illuminated by the erratic neon. One was a burly man, his face obscured by the deep shadow cast by a baseball cap pulled low, his frame hunched as if carrying the weight of the world, or perhaps just the heavy duffel bag clutched between his hands. #Crime #Fiction #KU #Readers #Thriller #Kindle #Audible #Series
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Description:
This is a 2006 Pontiac GTO, Holden chassis. This is an awesome car
that is gone now but I loved the lines so I had to build one of them.
This is built in Direct X and includes FBX and OBJ along with the
graphics and the image maps used. This is lo-poly and…
#3DModels #2006PontiacGTO #3DS #FBX #OBJ #DirectX #DellSweet
Tags: 3ds, Dell Sweet, DellSweet, DirectX, fbx
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Born from the industrial gloom of Birmingham, England, Black Sabbath didn’t just play rock and roll; they forged a new, heavier, and darker sound that would become the very blueprint for heavy metal. While other bands of their time were exploring the psychedelic and blues-rock frontiers, Black Sabbath created a sonic world of their own—one defined by crushing riffs, ominous tones, and lyrics that delved into war, evil, and the supernatural. Their legacy is not just one of a successful band, but of pioneers who single-handedly birthed a genre.
The foundational and most celebrated lineup of Black Sabbath, often referred to as the “classic four,” came from the same working-class neighborhood of Aston, Birmingham. Each member brought a unique and indispensable talent to the group, creating an alchemy that has rarely been replicated.
Tony Iommi (Guitar): As the band’s primary musical architect, Tony Iommi is revered as the “Riff Master.” His unique, heavy sound was born out of necessity after a factory accident severed the tips of two of his fingers. To compensate for the injury and the pain it caused, he down-tuned his guitar and played with custom-made prosthetic fingertips. This physical limitation became the band’s greatest creative asset, as it forced him to play with a simpler, more powerful style. The result was a series of iconic, slow, and menacing riffs that became the backbone of heavy metal. His ability to craft instantly recognizable and unforgettable guitar lines, often rooted in blues but amplified to an unprecedented level of aggression, established the fundamental vocabulary of the genre.
Geezer Butler (Bass): Geezer Butler’s contributions were twofold: he was a groundbreaking bassist and the band’s principal lyricist. As a bassist, he was one of the first to down-tune his instrument to match Iommi’s guitar, creating a massive, low-end sound that was both melodic and deeply resonant. His playing style was dynamic and inventive, often mirroring or complementing Iommi’s riffs, but also capable of complex, standalone melodic lines. Lyrically, Butler’s Catholic upbringing and interest in the occult, fantasy, and social issues provided the band with its signature dark themes. His words explored topics like war (“War Pigs”), drug abuse (“Snowblind”), and existential dread, giving the music a profound and often terrifying conceptual weight.
Bill Ward (Drums): Bill Ward’s drumming was the powerful and jazz-influenced engine behind Black Sabbath’s sound. His style was anything but a standard rock beat. Influenced by jazz drummers like Gene Krupa and Buddy Rich, Ward incorporated complex rhythms and fills that gave the band’s slow, lumbering grooves a sense of forward momentum and unpredictable swing. He could shift from a thunderous, primal pound to a delicate and nuanced rhythm, adding a layer of musical sophistication that is often overlooked. Ward’s drumming was not just about timekeeping; it was an integral part of the band’s sound, providing a chaotic and dynamic foundation that was perfectly suited to their dark aesthetic.
Ozzy Osbourne (Vocals): Ozzy Osbourne’s voice was the human centerpiece of Black Sabbath’s music. With a unique, nasal tone that was both honest and emotional, he didn’t possess the typical power-singer range of his contemporaries. Instead, his delivery was urgent, raw, and often laden with a sense of dread and vulnerability. His vocals were a perfect match for Butler’s dark lyrics, conveying a feeling of paranoia, despair, and menace that was utterly convincing. His stage presence, which evolved from a shy frontman to the charismatic “Prince of Darkness,” became an icon of the genre. Ozzy’s personality made the band relatable, even as they explored the most unsettling themes, and his subsequent solo career and status as a reality TV star only cemented his place as one of rock’s most enduring figures.
Black Sabbath’s first five albums, a remarkably productive and influential run, are a goldmine of heavy metal’s foundational anthems.
Black Sabbath’s influence on rock and roll is immeasurable. They didn’t just contribute to a genre; they invented a new one. Their innovations laid the groundwork for virtually every form of heavy music that followed.
Black Sabbath’s legacy is one of rebellion, innovation, and an unwavering commitment to a dark and heavy sound. They were the architects of a genre, creating a powerful, enduring sound that continues to inspire and define heavy music to this day.
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