October 30, 2025

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The “dance hall western whore” stereotype, widely popularized by Hollywood, is a misleading and historically inaccurate portrayal of women working in saloons and dance halls during the American West. While some women did work as prostitutes, a distinct class of entertainer existed whose primary role was to socialize with and encourage men to spend money, not to provide sexual services. 

The lives of dance hall girls

  • Distinct role: In most towns, a clear distinction existed between saloon or dance hall girls and prostitutes, who were sometimes called “soiled doves” or “painted ladies”. A dance hall girl’s job was to dance with lonely men and flirt to encourage them to buy drinks, for which the women received a commission.
  • A respectable living: In the Old West, where men far outnumbered women, dance hall work offered a respectable and often lucrative path to independence. Some women earned more in a night than a working man did in a month. Many women worked only temporarily before marrying, sometimes to a man they met at the dance hall.
  • Protection by owners: Saloon owners had a financial interest in protecting their dance hall girls. They often demanded that customers treat the women with respect, and men who harassed or mistreated them could be ostracized or banned from the establishment. Many women carried concealed weapons for self-defense.
  • Theatrical fashion: In contrast to Hollywood’s revealing costumes, historical dance hall girls wore eye-catching but generally modest clothing. They dressed in bright, frilly dresses with colorful petticoats, often with bodices cut low and shorter hemlines to make dancing easier. 

The reality of prostitution

  • Separate class: Prostitutes occupied a lower class than saloon and dance hall girls, though it could be a higher-paying profession than other limited options for women, such as being a seamstress or laundress.
  • High risks: Life as a prostitute was far more dangerous, with high risks of violence, disease, addiction, and abuse. They faced social stigma and often died in poverty.
  • Working conditions: Prostitutes worked in different types of establishments, from high-end parlors run by influential madams to small “cribs” or as streetwalkers. Some madams were highly successful and well-known in their communities.
  • Societal hypocrisy: Despite being legally outlawed, prostitution was tolerated and even taxed by many Western towns, with brothels often contributing significantly to municipal revenue. “Respectable” women shunned prostitutes, but their husbands often frequented brothels. 

In the American Old West, a “dance hall girl” and a “whore” were not the same, though the line could be blurry and the popular image of them has been conflated by Hollywood. The terms describe distinct roles, and not all women working in saloons were prostitutes. 

Dance hall girl

  • Role: A dance hall or saloon girl was primarily an entertainer. Her job was to socialize, dance with male customers, and encourage them to buy drinks. The dance hall earned money from the dance tickets and the drinks the customers purchased, and the girls earned a commission on these sales.
  • Income: For many women, this was an honest and lucrative profession that provided them with independence in the male-dominated frontier. It was not uncommon for a popular girl to earn more in a single night than a working man did in a month.
  • Social status: Despite their flirtatious roles, most dance hall girls were not “fallen women.” In fact, some were treated as ladies by their patrons. Many were able to use their work to meet and marry respectable men. 

Prostitute

  • Role: Prostitutes, also known as “soiled doves,” “shady ladies,” or “painted ladies,” engaged in sex work for a living. This was a distinct profession, separate from being a dance hall girl, though the two fields sometimes intersected, particularly in the roughest frontier towns.
  • Social status: The social hierarchy for sex workers varied. Some worked in more upscale “parlor houses” run by a madame, while others worked independently or in the lowliest “cribs,” small, dilapidated shacks on the outskirts of town. The work was generally more dangerous than being a dance hall girl.
  • Overlap: Though it was rare for a successful dance hall girl to double as a prostitute, some did. For example, Old West figure Big Nose Kate was a gambler, saloon girl, and prostitute during her life. 

Historical nuance

The historical nuance between these roles is often lost in popular media. Hollywood often portrays saloon girls and prostitutes as the same, but for women in the Old West, the distinction was a meaningful one that affected their earnings, working conditions, and social standing. While both occupations were outside the bounds of “proper” Victorian society, the dance hall profession was a legitimate and often profitable job that allowed women to earn a living with dignity.


Try a free look at a book from author W. W. Watson…

 Private Investigations 1: A  John Rourke Private Detective Story

by W. W. Watson © Copyright 2022

Cover Art © Copyright 2022 W. W.. Watson

This book is licensed for your personal enjoyment only. This book may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you are reading this book and did not purchase it, or it was not purchased for your use only, then please return to your bookseller and purchase your own copy. Thank you for respecting the hard work of this author.

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This is a work of fiction. Any names, characters, places or incidents depicted are products of the author’s imagination. Any resemblance to actual living person’s places, situations or events is purely coincidental.

No part of this book may be reproduced by any means, electronic, print, scanner or any other means and, or distributed without the author’s permission. Permission is granted to use short sections of text in reviews or critiques in standard or electronic print.

The city lights blurred through the rain-streaked windowpane, mirroring the hazy fog in my mind. The Fields case was closed, the invoice sent, but the quiet aftermath felt heavier than any stakeout. It wasn’t the physical exhaustion, though that was considerable. Weeks of sleep deprivation had etched themselves onto my face, in the dark circles under my eyes and the stiffness in my shoulders. No, it was a deeper weariness, a hollowness that gnawed at my soul.


I’d dealt with worse, seen things that would curdle the milk in a saint’s coffee. I’d faced down thugs with shivs, navigated treacherous alleyways, and stared into the eyes of men who wouldn’t hesitate to snuff out a life. But this case… this one was different. It wasn’t the brutality, the violence, or the threat of physical harm; it was the insidious erosion of trust, the slow, creeping revelation of deceit that had left me feeling strangely… violated.


The initial excitement of the chase, the adrenaline rush of the stakeout, the satisfaction of uncovering the truth – all of that had faded, leaving behind a residue of bitterness and disillusionment. Melinda, bless her trusting soul, had confided in me, revealing her vulnerabilities, her fears, her suspicions. I’d sworn an oath, implicit though it was, to protect her, to find the truth, and to bring justice to her situation. But the truth, as it so often does, was far more complicated, far more messy, than I had anticipated.


The truth wasn’t just about Paul Fields’ infidelity; it was about corporate greed, about a web of lies woven by powerful men, about the systematic corruption that festers in the shadows of the city’s glittering façade. And I, a lone wolf in a world of sharks, had been forced to navigate that treacherous terrain, using every tool at my disposal, even the ones that left a bitter taste in my mouth.


I thought about the woman who’d arrived at the neighbor’s house, the unknown variable that had changed everything. Her presence suggested a much deeper conspiracy, a level of intrigue that extended far beyond the personal drama of a cheating husband. The investigation had morphed, evolving from a simple case of infidelity into something far more sinister, far more dangerous. The lines between right and wrong had become increasingly blurred, forcing me to make difficult choices, compromises that continue to haunt me.


The “less-than-savory sources,” as I’d vaguely termed them on the invoice, weighed heavily on my conscience. The favors I’d called in, the debts I’d incurred, were not easily forgotten. These weren’t transactions you could record in a ledger; they were unspoken agreements, exchanges of information and influence that lived in the shadows, their consequences unpredictable. There were whispers in backrooms, hushed conversations in dimly lit bars, and promises made in the dead of night that could come back to haunt me. The city was a labyrinth of such deals, and I, a seasoned traveler of its darker paths, knew the price of admission.


I rubbed my weary eyes, the stale cigarette smoke clinging to the air in my office. The silence was broken only by the rhythmic ticking of the clock, each second a tiny hammer blow against the walls of my already fragile composure. The loneliness was crushing; the burden of the case, the weight of the city’s secrets, had pressed down on me, leaving me feeling isolated, estranged even from Joan, my wife.


Joan, ever the anchor in my turbulent life, had borne witness to my late nights and erratic moods. She’d seen the strain etched onto my face, the exhaustion in my eyes, the growing distance between us. She understood the nature of my work, the shadowy corners I inhabited, but she couldn’t fully comprehend the toll it took on me, the way it slowly chipped away at my spirit, leaving me hollowed out and depleted.


I’d tried to explain, to articulate the moral ambiguity of my profession, the subtle betrayals, the compromised ethics. But words failed me. How do you explain the feeling of walking a tightrope between justice and compromise, between the need to earn a living and the desire to uphold some semblance of integrity? How do you convey the weight of a city’s secrets, the burden of its untold stories, the constant threat of danger lurking just beneath the surface?


The pay from the Fields case, while generous, couldn’t compensate for the emotional cost. It couldn’t buy back the sleep I’d lost, the peace of mind I’d sacrificed, the trust I’d begun to question. It couldn’t erase the images seared into my memory – the fleeting glimpse of fear in Melinda’s eyes, the calculated coldness in Paul Fields’ gaze, the sinister smiles exchanged in smoke-filled backrooms.


I lit another cigarette, the match a fleeting flicker in the darkness. The smoke curled upwards, a ghostly representation of my own internal turmoil. The city outside continued its relentless rhythm, oblivious to my struggles, its lights twinkling like distant stars, cold and uncaring. The case was closed, but the emotional aftermath remained, a lingering echo of the shadows I’d navigated, a testament to the price of truth, a price far exceeding the sum on the invoice.


This wasn’t just a case closed; it was a wound that wouldn’t heal easily, a scar etched onto my soul. The investigation had taken more from me than I initially anticipated. It had stolen my peace, my sleep, and a piece of my integrity. The truth was often bitter, leaving a residue of cynicism and distrust. I looked at my reflection in the window, a stranger staring back, weary and worn. The lines on my face seemed deeper, the shadows under my eyes more pronounced. The city lights outside, once a beacon of excitement, now seemed to mock my solitude.


The following days were a blur of paperwork, an attempt to regain some semblance of normalcy in my chaotic life. I responded to other inquiries, trying to immerse myself in the routine of my profession, hoping to distract myself from the emotional turmoil of the Fields case. But the memories persisted, haunting my waking hours and invading my dreams.


One evening, I found myself staring at an old photo of Joan and me, taken years ago, before the weight of the city had begun to bear down on us. We were younger, carefree, our smiles bright and unburdened. The photograph was a reminder of a simpler time, a stark contrast to the grim reality of my life now. The distance between us was palpable, a chasm carved by the relentless demands of my job, by the unspoken burdens I carried within.


I knew I had to make amends, to reconnect with Joan, to bridge the gap that had grown between us. I realized that I needed to share my burdens, to lighten the load I’d been carrying alone. I needed her strength, her compassion, her unwavering belief in me. And maybe, just maybe, with her support, I could begin to heal the emotional wounds inflicted by the Fields case, to find my way back from the shadows and into the light.


The process of healing would be slow, arduous, and require more than just a few nights’ rest. The memories would linger, but I needed to find a way to confront them, to process them, to integrate them into my life rather than let them define it. I needed to confront the moral ambiguities, the compromises I’d made. Was it worth it? The answer wasn’t simple, a clear-cut yes or no. It was a complex equation weighed against the price of justice and the cost of survival. But perhaps in confronting the cost, in acknowledging the pain, I could begin the process of healing. The city, with its darkness and secrets, would always be a part of my existence, but I wouldn’t let it consume me completely. I needed to reclaim my life, my relationships, and my sense of self.


The journey would be long, but I wouldn’t walk it alone. I would lean on Joan’s unwavering strength, her unwavering faith in me. I would find solace in simple things – the warmth of her embrace, the quiet comfort of her presence. I would remember that even in the darkest corners of the city, there was still hope, still light, still the possibility of redemption. And in that hope, I found the strength to move forward, to face the future, one step at a time, one day at a time, one case at a time. The weight of the Fields case would always be a part of me, a stark reminder of the price of truth and justice, but it would not define me. I would choose to define myself – a private investigator, a husband, a man trying to navigate the treacherous waters of life, to find his way back into the light.

The next morning, sunlight, harsh and unforgiving, sliced through the blinds, revealing the dust motes dancing in the air of my cramped office. The lingering scent of stale coffee and cigarettes hung heavy, a testament to another sleepless night. The Fields case, officially closed, continued to gnaw at me, a persistent irritant under my skin. The neat stack of paperwork on my desk, the final invoice, felt like a flimsy shield against the storm brewing inside.


It wasn’t just the moral ambiguity of the “less-than-savory sources” I’d employed; it was the unsettling feeling that something was still amiss, a loose thread dangling in the intricate tapestry of the case. The woman at the neighbor’s house, her face obscured by shadow and distance, had been a phantom, a silent specter haunting my every waking moment. Her arrival, seemingly innocuous, had shattered the neat resolution I’d presented to Melinda, leaving me with a gnawing unease that refused to be silenced.


I reread Melinda’s initial statement, her words painting a picture of a seemingly perfect marriage, cracks subtly appearing only upon closer inspection. Paul, a successful businessman, had been exhibiting increasingly erratic behavior, an odd combination of paranoia and carelessness that had raised her suspicions. He’d been unusually meticulous in checking the locks, adjusting the blinds, and scanning the street from his study window. These weren’t the actions of a man with a clear conscience, but neither did they conclusively point to infidelity.


Then there was the matter of the neighbor’s house, a seemingly ordinary dwelling that had suddenly become the focal point of my investigation. I ran a background check on the property, discovering its owner, a reclusive old woman who rarely left the house, seemingly estranged from her family. The timing of the woman’s visit, coinciding with the apparent resolution of the infidelity angle, sparked a flicker of suspicion that quickly grew into a blazing inferno of intrigue.


Driven by a renewed sense of purpose, I dusted off my contacts, the shadowy figures who operated in the city’s underbelly. These weren’t the kind of people you met in respectable establishments; they frequented dimly lit bars, backroom poker games, and seedy motels, their business conducted in hushed whispers and furtive glances. They dealt in information, secrets, and favors, and their services came at a price.


Private Investigations 1:

The chipped paint on my beat-up Ford was flaking like old skin. The smell of stale coffee clung to the interior like a cheap perfume…

#BookWorm #Readers #KindleUnlimited #WWWatson #Crime #Noir #Mystery #PrivateEye


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The Old West Kindle Edition

by W. G. Sweet (Author)  Format: Kindle Edition

The Old West is a collection of five western themed stories set in the old west. Come along for an authentic trip through the west, the way it really was.

Jimson Jones, Sarah Johnson, The Cowboy, The Farmers Wife, To Hang a Thief

An excerpt from: Sarah Jones

One starless night, the tranquility of Harmony Creek was irrevocably broken. The rhythmic chirping of crickets was replaced by the terrifying sounds of shattering glass and panicked screams. A nightmare descended upon the peaceful farm. The familiar comfort of home was replaced by a brutal violence, a darkness that would sear itself into Sarah’s memory forever.

#Western #Fiction #Amazon #KU #Kindle #Readers

Kindle:

Audible: 

https://www.audible.com/pd/Audiobook/B0FQTC3SBT


Home: https://www.wendellsweet.com


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  Dodge Van – Dell Sweet #3DModels #3DCarModels #dellsweet This is a Dodge Van. I owned a new one exactly like this and I loved it. I like the aesthetics; I liked the cargo space and the gas milage was awesome too. This model is designed and rendered in Direct X. The ZIP file also includes the maps and graphics as shown in the images below and converted versions in 3DS, FBX and OBJ. #dellsweet #3dcarmodel #3dmodel #3ds #fbx #directx This model is designed and rendered in Direct X. #3DCarModel #directx #dellsweet The ZIP file also includes the maps and graphics as shown in the images below. #lopoly #3ddesign #dellsweet

Video:

https://wendellsweet.com/dodge-van/

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  1956 Ford Pickup Truck – Dell Sweet #3DModels #3DCarModels #dellsweet The 1956 Ford pickup truck, most famously the F-100, is a highly sought-after classic known for its distinctive and one-year-only styling. It was a part of the second generation of Ford’s F-Series trucks, which saw a major redesign for 1953.

https://wendellsweet.com/1956-ford-pickup-truck/

Lifted AMC with 3 drops of AI magic

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My lifted AMC model with a 5 sec AI basic… #AI #AMC #lifted #DellSweet

https://wendellsweet.com/lifted-amc/

Lifted AMC

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#3DModels #3DCarModels #dellsweet This is an AMC Reble. The stock frame is gone and a chevy blazer 4×4 frame has been grafted in. I actually owned a few vehicles like this. Red Neck? Yes, I could have cared less though. This model is built in Direct X. It includes all of the maps and graphics as shown. It also comes in 3DS, FBX, OBJ as well as Direct X. This model is designed and rendered in Direct X. #3DCarModel #directx #dellsweet #3DModels #3DCarModels #dellsweet

https://wendellsweet.com/lifted-amc/

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  Lifted Ford Falcon Ute – Dell Sweet This model is designed and rendered in Direct X. The ZIP file also includes the maps and graphics as shown in the images below. #3DModel k #dellsweet #directx #Donk #3DModels #3DCarModels #dellsweet There is no such thing as a “Holden Falcon Ute.” Holden and Ford were fierce rivals in Australia for decades, much like Ford and Chevrolet in the United States. They both produced their own iconic “utes” (utility vehicles), which were essentially a car with a large tray or cargo bed at the back.

https://wendellsweet.com/lifted-ford-falcon-ute/

Late Model 2 door Dodge Charger Concept

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This is a late model Dodge charger with only 2 doors. The model is made with Direct X. It has all of the maps and graphics as shown. https://youtu.be/jnqysdqglpQ https://youtu.be/R7odLyPLC9s The model comes only as a direct X model. It comes with all of the UV work as shown in the video. It also comes in three setups: Ex commandeered Police Cruiser in Black and White, Yellow off-road, Red off-road and white off-road…

https://wendellsweet.com/2-door-dodge-charger-late-model/


home: https://www.wendellsweet.com


The Streets
By Wendell Sweet
One evening, I found myself back at the scene of the car accident—the snow-covered road where my life nearly ended. The scars on my body served as tangible reminders of that brutal night; the emotional scars were far deeper. The silence was deafening, broken only by the occasional rustle of the wind. The cold night air, the harsh sounds of snow crunching under my boots; it all was reminiscent of the night that would nearly cost my life. Standing there, I felt a wave of sadness, a flicker of the old fear, but it quickly subsided. The trauma was still there, woven into the fabric of my being, but it no longer controlled me. I had faced it, processed it, and emerged stronger.#True #NonFiction #Crime #Memoir #Kindle #KU Kindle:

Audible: https://www.audible.com/pd/Audiobook/B0FQVL39PF


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Lyrics Copyright © Wendell G. Sweet 2011 ♪ ♫ ♪ Date Written; 11-18-2011
Song Title: Letter Home. Style: Alt

Copyright Wendell Sweet Administered via BMI

Verse 1

Put my pen to the page… I don’t often get the time… Builds such guilt inside… But I know you remain mine… And I know it hurts you too… Everyday… But there’s nothing we can do.



Instrumental……………………………….Transitional Lead……………………



Verse 2

I’m so lonely here… Been so long since I’ve seen your face…Time keeps marching on… Seems no end to this place… But if I close my eyes… I can see you clearly… And dream you’re near me.



Instrumental……………………………….Short lead Lead……………………



Verse 3

Morning comes… I could swear I feel you next to me… But as I shake off the sleep… It’s clear to see… I am all alone… Same as so many days in a row… No… This is not home…



Hook

Rub the sleep from my… tired eyes… My face is set but my heart cries…

My thoughts try to hold me but I push them away…

Watch the sunrise in this place… Struggle with the words I want to say…



Instrumental……………………………….Short lead Lead……………………



Verse 4

I don’t miss you anymore… It’s just a never ending need… I can hold back my tears… But my heart will bleed…Gets the best of me… I confess… Sometimes there is no best.



Instrumental………………………………. Long Lead……………………



Bridge

I hear life calling, but it’s so far away… Feels I am walking on the edge of a blade… And the day’s moving on… Morning’s nearly gone…



Instrumental……………………………….Lead wind down to last verse ……………………



Verse 5

I’ll say goodbye… You know my heart is always with you… You know I love you… Those are the only words I know are true…You are always with me… I’m coming home… I just don’t know when that might be…



Hook

I push the tears from my eyes… I set my face but my heart still cries…

My thoughts try to hold me but I… push them away…

Watch the sunrise… in this place… Start my day…

Watch the sunrise… in this place… Start my day…



(Slows to single acoustic stops at home)



Send this letter home to you… Send this letter home…


Home: https://www.wendellsweet.com


Posted by Dell

Happy Sunday. It has been a long weekend for me. I suppose that like everyone else I try to cram too many things into the weekend.  I always end up with undone items on my weekend list.

Yesterday I ran into an arguer. Some people will listen to what you say, or expect you to listen, and then you can agree to disagree or maybe even enlighten each other and learn something that changes your mind. Arguers on the other hand are never wrong so there is no need at all to back up on what they have said, or apologize, or change their mind or anything other than point out that you are absolutely wrong and then proceed to argue you into submission. Couple that with religious extremism and you have got a formidable opponent. Now not only are they right but the Holy Ghost, Jesus and God himself say so. I know that because I have had them tell me, like the arguer the other day, that the Holy Ghost gives them the words to say. Talks to them. My friend said, Hmm, usually when you have voices in your head it means that you have an illness, usually a mental illness. I agreed.

I would love to go further with this line of thought, but I wont. I will say be who you really are and don’t let people push you around. And don’t waste your time with arguers. You just have to accept the fact that they are not interested in solving the problem, or compromise, they are only concerned with winning. It’s a ME ME ME thing, and so it really has nothing at all to do with you.

I have about a week or two before I am back into full time writing. I have already got the notebooks out and the storyline working. Now that Earth’s Survivors and The Zombie Plagues are splitting there is a lot to write. I have it worked out in my head and that is my start. The rest comes when I sit down and begin to write it in a few weeks. I am really looking forward to it.

I am going to leave you with a free story from the Rapid City stories. This is Two. These are short stories but I have a longer book stuck in my head that I will write someday, and as the Earth’s Survivors and The Zombie Plagues books progress, Rapid City will play a larger and larger part. So one way or the other the story will be written…

Rapid City: The Beginning

By Wendell Sweet

PUBLISHED BY:

Wendell Sweet With Amazon Digital

Rapid City Cowboys and Zombies Two: The Beginning

Copyright © 2013 by Wendell Sweet All Rights Reserved

This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to Amazon.com and purchase your own copy. Thank you for respecting the hard work of this author.

This short story And The Earth’s Survivors Free Preview is Copyright © 2013 Wendell Sweet. No part of this book may be reproduced by any means, electronic, print, scanner or any other means and, or distributed without the authors permission. Permission is granted to use short sections of text in reviews or critiques in standard or electronic print..

This is a work of fiction. Any names, characters, places or incidents depicted are products of the authors imagination. Any resemblance to actual living persons places, situations or events is purely coincidental.

DEDICATION

To the Tuesday night Guys.

Rapid City: The Beginning is Copyright © 2013 Wendell Sweet

All rights reserved

Foreword

A short foreword. I did not realize when I wrote the original story that there would be interest in it as any more than a good, short read. But, like many of the readers out there, I got caught up in the life of Robert Evans… What was it like? Traveling from town to town? Selling your skill to the highest bidder. I found myself so curious that I sat down to write it out and find out. At the very least this will be a long series of short stories, but it may just turn into a novel with the short stories as a prelude to The true story of Robert Evans life….

Wendell Sweet 01 – 2013

The novel based on this short story is available at Amazon.

Rapid City

The newfound resources provided a small measure of comfort, but the shadow of suspicion and mistrust lingered, a constant threat to their already precarious existence. They had survived the attack, but the war within Rapid City had only just begun, a war fought not with guns and blades, but with suspicion, betrayal, and the relentless erosion of trust. #Dystopian #Apocalyptic #Zombie #KU #Audio #Readers #Listeners #DellSweet

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Rapid City: The Beginning

*******

~Rapid City~

They had come from north of the border. Two men and two women, and they picked up others as they came. They were twenty when they came to the river where it had cut into the floor of the desert and spread out nearly a  mile wide.

Near the spot they had decided to build there was a set of rapids that stretched for nearly a mile. So they had named the city Rapid City, half joking, but it had stuck as they had worked to build the city. And city was a kind name. Rapid city, six months later, had been no more than a collection of ten wood sided structures, and the river had moved more than a mile away. Wetlands had formed where the river had been, and they seemed to be slowly turning to swampland.

Ten had died over the last few weeks. The fight, and that was what it was, was taking a toll on them.

On this day, the sun hung straight up in the sky. Dust coated the buildings, the odor from the swamp seemed to hang over the little town like a veil. Gary sat on the front porch of the church and looked out at the little town. His wooden chair leaned back into the wall, feet on the railing. And in the daylight it seemed unreasonable that there could be any such thing as the Un-Dead. It seemed, in fact, completely impossible.

~In the Beginning~

The first few deaths they had not been prepared for. The first had been Gary’s friend Daniel. They had buried him in a small cemetery they had built a mile from the town to bury a few wanderers who had found the town in a half dead state and not lasted long after they did manage to find it. Daniel was the first of their own they had found a need to bury.

They had buried him in the early morning after finding him dead in his bed. It had been a horrific scene. They had thought quite possibly it had been wolves. The windows were open to let in the summer breezes. The wolves, they had seen them out by the swamp, could have easily come through the window. Daniel had been savaged. His throat ripped open. They had buried him in early morning and by that evening twenty six wolves had been dragged back into town. If there were any left they had hidden themselves well.

Then evening had come and the whole world had changed. It was not far into the night when the noises had begun out at the cemetery.

In the desert noises carry a long way. They had been unsure of what the noises meant at first. What they had decided was that there should have been no noise at all out there in the darkness. Six of them had taken their rifles and gone out into the darkness, following the noise to it’s source.

When they had arrived at the cemetery the grave had been opened. But, not just opened. Dug up, and dug up from the inside outward. There was no way they could deny it, although they did until a few nights later when Daniel himself had come back.

It had been deep into the night. Deep. Gary, Mitch and Sam and Freddy had had the watches. The watches, at first, had been to watch for the never ending gangs of murderers and thieves that seemed to be flooding out of the north. The watches by that night, had consisted of nothing more than hanging around in the church building, which was their newest and best built building, and maintaining  a presence in the town just in case someone happened into the town in the middle of the night. No one ever had in the last few months.

There was no denial after that night. Daniel had come from the shadows, stinking of the grave, and made a grab for one of the rotting corpses of the wolves that they had meant to drag back out to the swamp earlier in the day but hadn’t gotten to. Gary had seen him clearly. He had turned to the others but it was one of those things where everyone had just happened to be looking in the right direction at the right time. No one had missed it. No one had only partially caught it. When he had turned to them they had been turning to one another. The only that didn’t happen was nobody thought to go for a weapon until a few minuets later. And, even then, they were not sure exactly what they were doing.

They had not caught him that night, but they had caught him the next night when he had killed and was eating Barry Evers in the storage shed behind John Sampsons place. That had been a bad deal, Gary thought now.

Gary had shot him twice. Nothing. He had not even stopped trying to eat Barry’s face. Mitch had stepped up and blew his head off.

Rapid City had no doctor. W had had a veterinarian at the first but he had run off with Freddy’s wife and that was the last we’d seen of him. Together, Gary and the others had looked over the body. And, body it was, and had been for several days. Daniel had died and had somehow not died at the same time. That was the first time Gary and the others had talked about Zombies. Some of the travelers through Rapid city had talked about them, it was the hottest topic, usually. It was supposed that the north was infected with them. But They had never seen one, and they had never discussed them until that night.

~The Swamp~

As it turned out the Zombies were infesting the swamp. They had buried Daniel for the second time only to find Freddy dead the next morning. His throat ripped open the same way Daniels had been And Mitch had argued for taking his head off. It was the right, the smart thing to do. To make sure he didn’t come back. But they had not. They had not wanted to sink to that level of barbaric depravity. Sam had argued against it and it had not been a hard thing to get behind. But that night when the noise had started they had grabbed their weapons and made for the cemetery

They had found him nearly free of the grave. And there had been more. Six other Un-Dead had been standing close to the grave. Waiting for him.

Before the killing was over they had gotten two of those waiting and Freddy. They had dumped all three into the grave. Mitch had taken a round pointed shovel and severed their heads. It had taken forever and had been about the most gruesome thing Gary had ever seen. But he had been unable to take his eyes off the scene.

~A Day in the Sun~

Gary tipped his chair forward and stood from the chair as the legs came down on the wooden decking. A rider was approaching on the main street. Gary loosened his pistol from his holster. It was one of those nylon webbed ones. They were all wearing one kind or another now. This was surely not a Zombie but they were down to ten. They were vulnerable on many fronts now. Not just from the undead, but from the living too who seemed to have no problem killing each other for next to no reason at all. A dog. A vehicle. A horse, and horses were becoming major items, but mostly women. Women were the keys. Men could not procreate, women could. True, they could do it with any man. But a man could not do it without a woman at all. Gary had seen many men killed over a woman.

“Right there will do,” Gary told the man in a clear strong voice.

The man stopped the horse in the street but stayed on his mount looking across the short stretch to Gary where he stood on the porch. They were down to ten now. Two men and eight women. It was like the Zombies only wanted the men. Or maybe wanted the men out of the picture.

“Heard this was a peaceable town,” The man said.

“Was… Ain’t now… Now it’s a plague town… You best ride on,” Gary told him.

“I ain’t heard of no plague,” The man said. His eyes were like diamonds looking out from under the brim of his hat. He wore no gun, but a wire stock machine pistol protruded from a scabbard off the saddle.

“You heard of this plague… They call it the plague of the dead… The Un-Dead… Zombies. Call it what you will, you heard of it or you ain’t real… And I can tel you they are real and we got them right here… You don;t even want to think about spending no time here at all.. We been losing a man a night lately…” Gary shifted, rocked on his heels to take the tingling out of his legs. He had sat in the chair too long. His left leg was nothing but pins and needles. He kept his eyes on the man who shifted in his saddle slightly.

“Ain’t real,” He said.

“Uh huh… Got a little cemetery outside a town… Rode right by it.”

“Uh huh… Saw it,” The man agreed.

“Up until a few weeks ago that cemetery was empty. Go tell those dead men Zombies ain’t real.” He stepped forward and spit over the rail into the dust.

Silence held. The dust seemed to settle more fully onto the town. At last the man spoke.

“Any way I’d like a drink… Wouldn’t deny a man a drink, would you,” he asked?

“No I would not. And I will tell you what you do. Point that horse due East out of town. You’ll hit the river and fresh water about a mile out… Ain’t been no fresh water here in months. Drink your fill.”

His eyes seemed to blaze from the brim of his hat. “I believe I’ll remember you, Friend.”

“Good. You do that. Then remember I saved your stupid ass by sending you on your way… Ain’t no way to fight these bastards…” He spit over the rail once more. “We expect to be dead inside of a week… Got about seven hours until full dark. That will put you up in the hills… Ain’t heard of trouble from the Un-Dead up there.”

The stand off lasted a few more minuets in the hot sun and then the man turned his horse and rode away without another  word.

~The Evening~

Donita waited in the shadows of a building starring at the lights in the church building. They were forty now. Strong. And she was their undisputed leader.

She had undergone many changes on the journey across the wastelands of the west. Her body had finished it’s changes. Her mind had come back to her. And her authority had come more fully to her.

They were forty bot they could have been seventy. She would not stand those who showed the least bit  of defiance. With her there was no second chance. There could not be. If defiance was in them it would only grow. If they grew they would become strong. If they became strong she would not be able to control them. If she could not control them they could control her, and she could not abide that. She ruled and bowed down to no one at all.

She took them as babies. When they were lost in the pain and confusion of transition. She killed them. Took their heads and let them continue their journey to the dead. It served a reminder to those with her, but she was not sure it mattered after a time. She had so many that were loyal to her that none could get close to her. And chief among them was the big man she had taken up north, Jeff.

The passage into death took some of what you were. You did not come through it the same. The skin pulled taught upon your bones. The fat stores were gone, and you were reduced to the basics. Not so with the big man. He had come through virtually unchanged. That and the strength that naturally came to them made him the strongest in the group. He was easily stronger than and three of her others; any five breathers. He stood beside her now. Waiting on her orders.

The moon was new in the sky. Still competing with the setting sun. They had set out from the swamp just past twilight. She hoped  the breathers were thinking that there was no need to worry until later in the evening when full dark came.

She watched a few seconds longer. They were at their evening meal. They took them together now. Hoping for security in the numbers. Shadows moved on the curtains as she watched. They would be the most vulnerable now, and it was time to end this fight with them. The night before they had killed one of the twins. One of her twins, and they had to pay for that.

She hesitated the briefest of seconds longer, then, as a group, they took the building and the feasting lasted into the early morning hours.

~Robert Evans Redux~

I watched the sunrise on the wall across from me. I could’ve turned but my heart wasn’t in it.

The walls were plywood, scarred, gouged and in need of a coat of paint. But there would be no paint, of that I was sure. Even if it could be found no one would be bothered to take the time to put it on.

The pain was running around in me like a live thing. A ferret gnawing its way out of a burlap sack. It was the biggest thing in my life right now, overshadowing the why and how of me seeing this sunrise and hopefully a few more.

The sun crept a little further up the wall and the shadows in the room began to fall back under the furniture and creep into the corners, This day was coming whether I wanted it or not. Whether I was in any shape to see it or not.

I shifted slightly and the pain became a monster. The wall flickered in my vision and then I was gone, dropping off into a deep, black void…

~

My eyes came open like rusty springs on a screen door, screaming and reluctant. The shadows were coming back down the wall. Maybe I had avoided the day after all. I caught a movement to my right and turned my eyes faster than I should have. Doc Mulberry sat in the gathering shadows, chair tipped back, feet off the floor. He grinned at me when my eyes fell upon him.

“Well, now. If it ain’t Robert Evans, lately of the prettty-close-to-being-dead.” He drawled.

I tried to move my arm and the pain shot back up and into my shoulder like a live wire in the old days of electricity. It lit up the pain in my chest which I had barely even noticed at that point. I swiveled my eyes down to look.

“It’s there,” Doc told me. He quietly lowered the chair to the floor and caught it with his feet.

My eyes found it. I had expected to see a wrapped stump somewhere below my shoulder, at least below the elbow. In fact, I had expected not to wake at all. What I saw was my whole arm. Wrist wrapped. Fingers pale and blue tinged. I recoiled and thrust my arm away despite the pain that caused the gray to seep into the corners of my vision. “What in fu… !”

Doc leaned from the chair and spoke forcefully. “You got the blood in you now…. I left it….” He sat back and waited for me to lie back into the bed.

I cursed, still holding the arm away from my body. But I was tired and the pain was back, and I let it down, resting it once more at my side. I took a deep breath and closed my eyes.

“I thought it over,” Doc said in a soft, low voice. “If I’d taken the arm you’d a been done for. You ain’t no one armed gunfighter… I watched you close.. If you’d a started to turn I’d have done you right then. Believe it…” He paused for a bit. Kicked the chair back off the floor and balanced against the wall once more.

“Heart’s still beating… You ain’t dead by a long shot… But, well, you ain’t exactly alive either…”

I rubbed at my eyes. “What made you believe I’d want to live like this?” I took a deep breath, then another. “And what is this anyhow… I mean what is this going to be,” I asked?

“Not a clue,“ the doc answered. He had closed his own eyes I noticed as I looked over at him.

“But you left me this way?”

“I did,” Doc agreed. “But, you got your arm. You can use it. And you can’t hardly tell.”

“You mean the arm don’t look all that bad? I figured you’d at least have to cut a big chunk out of my wrist… Into my arm…”

“That too,” The Doc agreed. “But, no… I wasn’t talking about the arm… You got the blood… It was bound to make some changes… Bound to.”

“Christ on a fuckin’ roller skate… What in fuck are you talkin’?”

He came down hard, the chair legs banging the floor. He reached down and picked up an old plastic cased hand mirror where it lay on the floor next to his chair. “Here,” he said, offering the mirror. “Better take a look.” He stood and walked to me, placing the mirror in my good hand. “Eyes,” he said as he walked back to his chair, tipped it back once more, and balanced against the wall.

The light was low in the room, but more light would not have changed a thing. They eyes that looked back at me from my own head were not my own. Pale white, washed out. Pink at the edges, and a green glow from the center that held silver irises. I blinked and refocused but it made no difference. “Christ,” I groaned.

“I don’t think Christ has got a thing to do with it,” Doc Mulberry told me. “Was a whore… A month or two back… Got bit, same as you. Laid right there in that same bed. Those Goddamned Zombies out to the swamp…” he took a breath, pulled a stubby cigar from his vest pocket. He made them himself: Rolled from tobacco he grew out near the river. He lit it with an old lighter that he somehow managed to keep in fluid. Inhaled and blew out a cloud of blue-gray smoke that drifted up to the ceiling.

“Bad news and don’t even offer me a smoke.”

He flipped me one of the cigars, came off the wall once more. Lit it and then rocked back against the wall. This time balancing the chair. Rocking it with the motion of his feet. “Her eyes turned.. Same as you. I come and stood looking at her… Waiting to see.” He snapped his fingers. “Just like that. She turned that fast. Nearly got me. Come off that bed as strong as two men…” He inhaled deeply. “Shot her in the head as we struggled against the other wall over there. What a mess that was. Told myself this time I would not take the chance. You ain’t no whore. Had the gun right to your head…”

“Jesus,” I muttered.

He laughed. “Yeah… Yeah… But you never turned… Never did… I can’t tell you why…” He came down on the legs fast once more banging to the floor. “You… You ain’t feeling funny, right? Like.. Like you want to eat me or something… Right?” His hand clutched at his belt but there was no gun there. He glanced over at the dresser where he had left it and I heard him cuss under his breath.

“Doc.. Doc,” I told him. He finally looked over, eyes a little too wide. “I ain’t… I ain’t got no urges… None at all… “Cept an urge to smack the livin’ shit out of you for allowing this at all. What if I had been? Been filled with urges? What the fuck would you have done then?”

He tipped the chair back up. Chewed at the thick stump of cigar and squinted his eyes at me. “Would have got you somehow… Thing is I knew… I knew.” He took a deeper breath. Sucked at the cigar, and the tension seemed to leave him. He took the chair up full and balanced against the wall full.

“Chest hurts more than it did when I got shot,” I said, changing the subject.

“Flesh wound… Bad bullet… Probably made it himself. Wonder it even went in… Dug it right out with a rusty pocket knife.”

“Prick,” I said.

He laughed. “Well anyhow. You ain’t fit to travel for a day or three.”

I nodded. “What about some whiskey,” I asked?

“Sent Milly locke over for some when it became clear you was coming out… She’ll be back any minuet, I expect.”

I nodded and let the silence hold. Watching the shadows deepen in the room. “So what goes now,” I asked?

Doc shook his head. “I do not know, Robert. I do not know,” he told me.


ABOUT THE AUTHOR

Wendell Sweet wrote his first fiction at age seventeen. He drove taxi and worked as a carpenter for most of his life. He began working on the internet in 1989 primarily in HTML, graphics and website optimizations.

He is a Musician who writes his own music as well as lyrics. He is an Artist accomplished in Graphite, Pen, and Electronic media. He has written more than twenty books and several dozen short stories.

Rapid City: Amazon

Hope you enjoyed the story. Have a good week…


You can find out more about the author at:

www.WendellSweet.com


Using a free AI source to generate a book-outline for you, BTW: The photo above was also generated with a free AI, META in this case…

There are a few absolutely free sources and the ones I will use are the same ones you can use, browsers. Meta has its own, and Chrome has its own. So I will use those two and post the prompt and the results. First META.

The Prompt I typed into META: Can you give me a book outline for a romantic novel. It should follow a standard Romance Novel outline. It should have a few plot twists. It should have a love interest for the main female character.

The Result: Here’s a romantic novel outline with a few plot twists:

Title: “The Art of Falling”

Main Character: Alexandra “Lexi” Thompson, a talented but struggling artist in her late 20s.

Love Interest: Ethan James, a successful art gallery owner in his early 30s.

Story Outline:

Act I:

  • Lexi’s struggling to make a name for herself in the competitive art world, working multiple jobs to make ends meet.
  • She meets Ethan at an art gallery opening, where her art is featured without her knowledge or permission.
  • Ethan is drawn to Lexi’s talent and feisty personality, but their first meeting ends in conflict.

Act II:

  • Ethan offers Lexi a show at his gallery, but she refuses, suspicious of his motives.
  • Lexi’s best friend and confidant, Sarah, convinces her to reconsider, and Lexi agrees to meet with Ethan.
  • As they work together, Lexi and Ethan’s chemistry becomes undeniable, but their pasts and fears threaten to derail their relationship.
  • Plot Twist: Ethan’s business partner is revealed to be Lexi’s ex-boyfriend, who sabotaged her art career and broke her trust.

Act III:

  • Lexi’s feelings of betrayal and hurt resurface, causing tension between her and Ethan.
  • As they work through their issues, Lexi and Ethan grow closer, and their feelings deepen.
  • Complication: A rival art gallery owner tries to poach Lexi, offering her a lucrative deal that could compromise her artistic integrity.
  • Climax: Lexi must choose between her art and her feelings for Ethan. She decides to stay true to herself and her art, and Ethan commits to supporting her.

Resolution:

  • Lexi’s art career takes off, thanks to Ethan’s support and guidance.
  • Lexi and Ethan confess their love for each other, and the novel ends on a hopeful note.

Themes:

  • Trust and vulnerability
  • Following one’s passion
  • Overcoming fear and self-doubt

Potential for subplots:

  • Lexi’s friendship with Sarah
  • Ethan’s past heartbreak and commitment issues
  • The rivalry between Ethan’s gallery and the rival gallery owner

This outline provides a standard romance novel structure with a few plot twists to keep things interesting. The themes of trust, vulnerability, and following one’s passion are woven throughout the story, and the supporting characters add depth and complexity to the narrative.


Here is the Chrome, Gemini result:

The Prompt is the same: Can you give me a book outline for a romantic novel. It should follow a standard Romance Novel outline. It should have a few plot twists. It should have a love interest for the main female character.

The Result: That sounds like a fun project! A solid outline is the foundation of any great novel.

Here is a standard, 3-Act structure outline for a Romantic Novel, complete with a few plot twists and the introduction of a love interest for the main female character (FMC).

Romance Novel Outline: The Art of the Second Chance (Title)

Core Concept

Title: The Art of the Second Chance

Genre: Contemporary Romance / Second Chance Romance

FMC: Elara – A talented but jaded architect who gave up on her career-defining dream project after a humiliating public failure and heartbreak five years ago. She now designs small, anonymous suburban additions.

Love Interest (LI): Leo – A charismatic, successful, and globally recognized urban planner who has returned to the city to spearhead a major, high-profile revitalization project—the very project Elara had initially been attached to. He is known for being fiercely private about his past.

Conflict: Elara is forced to work with Leo on the project she abandoned, fearing a repeat of her past failure while battling the resurfacing chemistry and old hurts between them.

Act I: The Setup and The Inciting Incident (The Meet Cute/Meet-Again)

Chapter

Plot Point

Details & Romance Elements

1-3

Setup: Elara’s Normal World

Introduce Elara and her safe, monotonous life. Show her reluctance to take any professional risks. Establish her close, supportive friend/family network (the Mentor/Best Friend figure). Hint at a painful past related to her architecture career.

4

Inciting Incident (The Call to Adventure)

Elara is reluctantly offered a last-minute consulting job on a major, high-profile project. She tries to refuse but is convinced it’s an opportunity she can’t afford to pass up.

5

Meeting/Reunion

Elara arrives for the project’s kickoff meeting and is blindsided: the lead urban planner is Leo, her former college rival and the man who publicly and professionally embarrassed her just before she left the industry five years ago. (The Initial Conflict is established).

6-8

The Resistance

Elara and Leo clash immediately, establishing their Tension and Banter. Their professional styles are incompatible. Elara tries to find a way to quit without losing face. Leo subtly challenges her to prove her old talent is still there. First Glimpse of Chemistry despite the animosity.

9-10

Plot Point 1: The Decision

They are forced to work closely together on an unexpected emergency deadline. Their combined skills lead to a surprising success. Elara realizes the project needs her, and she can’t walk away. She and Leo agree to a Temporary Truce for the sake of the work.

Export to Sheets

Act II: Rising Action and The Deepening Connection

Chapter

Plot Point

Details & Romance Elements

11-15

The Professional Partnership

Elara and Leo settle into a pattern of intense work. They begin to see and respect each other’s talents. Tension builds from forced proximity. They start having deeper, non-work-related conversations where old memories are tentatively explored.

16

Plot Twist 1: The Confidante’s Secret

While snooping for project documents, Elara accidentally overhears a confidential phone call between Leo and his assistant. She realizes the real reason Leo returned to the city is related to a long-held secret about the project’s ownership—a secret that could jeopardize everything. She confronts him, escalating their conflict.

17-20

The Emotional Wall Crumbles

Leo is forced to be more vulnerable, sharing a partial truth about his past and his intentions, which Elara finds surprisingly sympathetic. They share a personal moment (a late-night talk, a shared meal) where the Emotional Connection deepens, leading to their First Kiss/Intimate Moment.

21-25

The Honeymoon Phase & Stakes Raise

Elara and Leo begin a secret relationship outside of work. They are happy and the work is thriving. Everything seems perfect. The external stakes rise as a rival company attempts to sabotage the project, forcing Elara and Leo to rely entirely on each other.

26

The Midpoint/Goal Shift

Elara realizes she’s not just falling for Leo, but also falling back in love with her career and the confidence he brings out in her. Her primary goal shifts from finishing the job to making a life with Leo and her career. The external pressure is at its highest.

27-30

Growing Intimacy & Warning Signs

Their relationship becomes more serious. Elara notices Leo is still extremely guarded about one particular piece of his past—the actual reason for the humiliation five years ago. She starts to feel that he’s still holding back a major secret.

31

Plot Point 2: The Revelation (The Betrayal)

Elara’s investigation into the project’s history uncovers the full truth about the incident five years ago. It wasn’t just professional jealousy—Leo had actively covered up a mistake he made that forced Elara to take the blame, ruining her reputation to protect his family’s business interests. The Black Moment arrives as Elara confronts him with the evidence.

Export to Sheets

Act III: Climax and Resolution

Chapter

Plot Point

Details & Romance Elements

32-34

The Breakup and Separation

The Dark Night of the Soul. Elara is devastated by the extent of Leo’s betrayal. She ends the relationship and attempts to quit the project entirely, realizing she was wrong to trust him. Leo is desperate but respects her decision, realizing the depth of his past mistakes. Elara’s friends/family rally around her, but she must ultimately choose her own path.

35-37

The Climax: The Professional Showdown

The final presentation/vote for the project is scheduled. Elara must choose: does she walk away and guarantee her safety, or does she use her knowledge and talent to deliver the best version of her vision? She decides to attend, not for Leo, but for her own career. She gives a stunning presentation, showcasing her unique vision and winning the approval of the board despite Leo.

38

The Grand Gesture

Leo, having seen Elara’s true strength, realizes his mistake wasn’t just the past lie, but his continued reluctance to be fully honest. He performs his Grand Gesture—not by pleading, but by publicly confessing the truth about the five-year-old incident and taking full accountability, thus clearing Elara’s professional name once and for all. He resigns from the project to prove his sincerity.

39

The Reconciliation

Elara now sees Leo’s true change and sacrifice. She forgives him, not because he’s perfect, but because his vulnerability proves he’s willing to risk everything for her. They reconcile, agreeing to build a future based on complete honesty.

40

Resolution & Epilogue

Happily Ever After (HEA). The project is successfully completed (with Elara now in a well-deserved, elevated role). Elara and Leo are together, having found a healthy balance between their careers and their personal life. A final scene hints at their shared future (e.g., designing their own home, planning a future project together).


There you go, two free sources that you can generate a book outline from. Let me know what you think. I do have a paid account, but that would be a different scenario in that it has to do it, I pay for it. This is something anyone can do absolutely free. There are other browsers that also have built in AI that you can use to do the same thing. Hope this helped you to realize that you can use AI, not be afraid of it, Dell…


Meta AI: Meta AI – https://www.meta.ai/

Google’s Gemini: https://gemini.google.com/app – https://gemini.google.com/app


Home: https://www.wendellsweet.com


Posted by Dell

Tech support:

                so I’m at the dollar store with Mom a few months back at she spies these pink cell phones and decides to buy one to support Breast Cancer and it’s a good cause and it says it’ll be so easy to move your number, set it up. A snap, plus it comes with two Cadillacs full of minuets and a camera, and, well, it’s pink. So she buys it. I was for it because basic I am a cheap kind of guy and I would end up with her old phone which is perfectly fine it’s just old. It’s been perfect for four years. No problems. Just ate minuets and pooped data, or phone calls. Bad analogy there but you get the idea. So, great phone, just old and a new one beckoned. I would bet there are people reading this who have almost gotten into relationship problems using that same reasoning.  Funny the double standards we have, eh?

    So, she buys the phone, we go home and I go to work on the computer because other than going to church once a week and chasing Horny Tom Cat’s away from my Fred cat that’s about all I do. So I typed away for a few minuets but I kept hearing these sighs, and mutterings, so finally I said… “Uh, Mom… Everything okay?”

    Lets set the record straight I knew everything was not okay but I was hoping for an answer like “I’m taking this $#@%^ phone back it’s junk!” Yes. I was actually hoping for that answer. Instead I got … “I can’t figure it out. I’m doing exactly what it says…”

    “Okay,” I soothed. I am a man. I know how to fix these things and most of the time I don’t even have to read the Manuel. I didn’t say that. I have learned not to say it because it just turns out to be that one time when I can’t do it and I look stupid. So I took the phone and spent the next hour doing all the same things Mom had and getting nowhere.

    “$#@**%# Phone,” I said.

    “I told you,” Mom agreed. “There’s a number to call.” She held up a piece of paper and I couldn’t help wondering why she hadn’t given me the piece of paper earlier when I could have possibly used it. But then I reminded myself that I never would have used it anyway.

    “Hmmm.” I frowned and looked over the number. “So. You have a phone that doesn’t work and they give you a tech number to call.”

    “Well you have the other one.”

    “Yes. But what if I didn’t?”

    Mom shrugged and I realized the stupidity of my own question, still, didn’t it sort of make sense? Isn’t it sort of like offering a drunk a drink while he waits? I don’t know. Reluctantly I punched the number into the other cell phone, pretty much jambed the end of the cell phone halfway into my brain and waited.

    I touched on this the other day. I had never had to call tech support in the last ten years. There is no Tech support in prison…

    “Hello?”

    “Hello.”

    “Tech support?”

    “No. There is no tech support in prison. Stop calling here you moron.”

    “But I’m in prison!”

    Dial tone…

    The phone stopped burring and an Voice came on the line. Computer voice. Push one for billing issues, two if you’ve had an affair with a politician, three for technical support. I pushed three but I didn’t push it fast enough because the whole thing played again. I ended up having to call back and immediately press three.

    Now, let me say this delicately, why would you get a job in tech support in America if English is not your first language? And, why would a major company hire you. After thirty seconds of trying to understand the woman I gave the phone to Mom hoping the kindred spirit thing would kick in but no, she couldn’t understand her either. She gave me back the phone. Apparently womaneez doesn’t cross the language barriers easily.

    It must have been about two hours later and the third string of numbers the woman had given me before the phone finally began to work.

    “You are being happy with your experiences?” The tech asked me.

    “Are you serious,” I asked?

    “Yes. Of Course. Serious is what I am being.”

     “Oh God,” I said aloud. “Have you ever heard this?”

    “Yes? I am Listening.” She obviously thought we had bonded.

     I hung up. Mean, I know.

    Two days later there was a recall on Mom’s Coffee Maker. I called tech support.

   “Yes? I am being happy to be taking your call.”

    “Never mind I’ll buy a new one.” I said

    A week later my new laptop croaked. I called customer service.

     “Yes? I can be helping you?”

     “What? Do you work for the Coffee maker place?”

    “No. That is my sister, Sari.”

    Tech support…


Here is a Thriller you might like… Zero Zero

As the clock ticks down for our planet and her inhabitants, powers that have lain dormant for centuries are loosed on the Earth. #Horror #Kindle #Amazon #Biblical #Christian #Fiction



Home: https://www.wendellsweet.com


Artificial intelligence (AI) is a technology that enables computers and machines to simulate human learning, comprehension, problem-solving, decision-making, creativity, and autonomy. It’s a multidisciplinary field that studies how to optimize AI’s beneficial impact while reducing risks and adverse outcomes ¹.

What is AI?

AI systems work by merging large datasets with intelligent, iterative processing algorithms. This combination allows AI to learn from patterns and features in the analyzed data. AI can automate routine, repetitive, and often tedious tasks, including digital tasks like data collection and physical tasks like warehouse stock-picking and manufacturing processes.

Types of AI

There are several types of AI, including:

  • Narrow AI (Weak AI): Designed to perform a specific task or a narrow set of tasks, such as voice assistants or recommendation systems.
  • General AI (Strong AI): Possesses human-level intelligence or even surpasses human intelligence across a wide range of tasks.
  • Superintelligent AI: A hypothetical form of AI that would surpass human intelligence in all areas.
  • Reactive Machines: AI systems that only react to specific tasks without storing past experiences.
  • Limited Memory: AI systems that can use past data to improve future decisions.

Applications of AI

AI has a wide range of applications across various industries and domains, including:

  • Healthcare: Disease diagnosis, medical imaging analysis, drug discovery, personalized medicine, and patient monitoring.
  • Finance: Fraud detection, algorithmic trading, and personalized financial advice.
  • Retail: Personalized recommendations, customer service, and inventory management.
  • Transportation: Autonomous vehicles, traffic management, and predictive maintenance.
  • Education: Personalized learning experiences, automated grading, and virtual tutoring.
  • Manufacturing: Predictive maintenance, quality control, and supply chain management.

Future of AI

The future of AI holds much promise, with potential advancements in areas like:

  • Agentic AI: AI systems that can act independently and purposefully, making decisions and taking actions without human intervention.
  • Generative AI: AI systems that can create new content, such as text, images, music, or video.
  • Robotics: AI-powered robots that can perform tasks autonomously, revolutionizing industries like manufacturing, logistics, and healthcare.

Challenges and Risks

While AI offers many benefits, it also poses challenges and risks, including:

  • Data risks: AI systems rely on large datasets, which can be vulnerable to data poisoning, tampering, and breaches.
  • Bias and fairness: AI systems can perpetuate biases and discrimination if not designed and trained carefully.
  • Job displacement: AI may automate certain jobs, potentially displacing workers.

Investment and Adoption

Governments and companies are investing heavily in AI research and development, with the European Union committing $1.1 billion to boost AI adoption in key industries like healthcare, energy, and manufacturing ⁶. The global AI market is expected to grow significantly, with AI projected to add up to $4.4 trillion to the global economy annually.

My AI Facebook page: Examples: AI & You | Facebook https://www.facebook.com/groups/1104182515031030




More of my AI on my YouTube Channel: AI – YouTube https://www.youtube.com/playlist?list=PLDfSOZ3Bp4T3YZb05Pa80gQZTf12g-VB_


Home: https://www.wendellsweet.com


This model is designed and rendered in Direct X. The ZIP file also includes the maps and graphics as shown in the images below. #3DModel #dellsweet #directx #Ford

#3DModels #3DCarModels #dellsweet

This is a 1968 Ford truck cab, mated to a custom rear flatbed bed. I like the way the old Fords looked and wished I had the time and money to swap out the frame to a modern 4×4 truck of some kind, modern V8, etc. This model is built in Direct X. It includes all of the maps and graphics as shown. It also comes in 3DS, FBX, OBJ as well as Direct X.

This model is designed and rendered in Direct X. #3DCarModel #directx #dellsweet

#3DModels #3DCarModels #dellsweet

https://youtu.be/KTn7RR0KVcU


Home: https://www.wendellsweet.com